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The Synth-Pop Duo's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond in Leeds during 1977

The talented musician, one half of the innovative 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the duo achieved a global success with their version of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is considered a classic of synth-pop.

He later formed the pioneering electronic act The Grid, who secured popular acclaim with 1994's the hit Swamp Thing.

Ball passed away peacefully in his sleep at his home in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

During that show, Ball performed in a mobility chair, as he had for the previous couple of years, following a period of health issues.

"I managed to damage myself significantly," he stated in a recent interview. "I fractured spinal bones in my back and cracked about multiple ribs and fractured my arm."

Following catching a lung infection and suffering from blood poisoning, he was put in an medically-induced sleep and remained in hospital for half a year.

However, he had been in "a great place mentally" over the warmer months, as he was developing a fresh record with Almond, called the upcoming Danceteria, which is set for release in the coming year.

"He was concentrated and very pleased with the latest project that we literally completed only a few days ago," said the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive time for him, and I find comfort from the knowledge that he heard the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an significant aspect of my life and for the songs you gave me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is distinct from joining a band, the connection is very tight," he continued.
"That's how it was with us. We went through so many remarkable, extraordinary, memorable moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Born into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He was raised in Blackpool with adoptive parents his caregivers, who altered his first name from his birth name to David, alongside his sibling his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both learning art. Fuelled by a shared love of Northern Soul, they formed Soft Cell the same year, and quickly recorded an EP.

Creative Collaboration

The duo were an unusual combination: Ball was the quiet musician, bent over his synthesizer, while Almond was a charismatic performer, all glitter and eye-liner; but they achieved a unique musical alchemy.

Ball had developed a fascination with electronic instruments after watching the band Kraftwerk perform on a television science show a popular series, and began to combine dark electronica to the soaring melodies Almond was writing.

Their signature song became the United Kingdom's second most popular single of the early 80s, shifting 21 million copies globally. Together with successful tracks by other artists, Human League and Ultravox, it helped cleared the way for the electronic music style of the 80s.

The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The pair were developing new material until just before Ball's death

Professional Journey

Success had its upsides. "I enjoyed being able to afford my initial property, having money and exploring, which makes me sound like a Miss World," Ball not long ago told with a music magazine.

But it also presented challenges. "Newfound wealth allowed we could purchase substances to relieve the boredom" of press appearances and television shows, Ball said.

"I know that's a cliché, but it's a truism for a good reason, because it works for so many musicians."

Amidst the party-filled existence, the duo were also drifting apart, but they managed to produce a second memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before ending the group to focus on individual endeavors.

Almond proceeded to have a successful individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in 2001, releasing the charting record Cruelty Without Beauty.

Following a further hiatus, they returned in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on September 30, 2018.

Yet, they stayed together, recording their latest project, Happiness Not Included, during the 2020 restrictions.

Ball recently characterized the duo's new album as a tribute to the NYC nightlife they visited while making their initial records.

He added that his period in hospital had influenced the band's sound.

"I experienced unusual memories when I was coming and going of the hospital because I was on pain medication," he told a publication.
"The new songs are a digital reflection of the sounds in my head from those days.
"In parallel, it's about the times me and Marc got up to in the 80s."

The final mixes were completed only a short time before Ball passed away. It is scheduled for release in Spring 2026.

EM
By

Elizabeth Murray

Eleanor Vance is a freelance interior designer and writer with a passion for sustainable living.

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